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Andrew Stanton returns to Pixar for this follow-up to one of the animation house's most beloved films, Finding Nemo.
About Finding Dory
Artist : Ellen DeGeneres, Albert Brooks, Diane Keaton, Eugene Levy, Willem DafoeAs : Dory, Marlin, Jenny, Charlie, Gill
Title : Finding Dory Como Descargar Peliculas Gratis
Release date : 2016-06-17
Movie Code : 2277860
Duration : 100
Category : Animation, Adventure, Comedy, Family
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Stanton and co-director Angus MacLane augment the hilarious characters with visual grandeur (who knew there were this many shades of blue?) and comedy, particularly from Hank the octopus' chameleonic and contortionist skills.
I like the way this film kind of mirrors Peter Pan. That we have these magical elements, little things that of course are now keystones and touch notes in the Peter Pan story we see how the idea first came to him.
Finding Dory is one of the most devastating things Pixar has made - all while often being even bouncier than Finding Nemo.
The inclusiveness of the film's vision is remarkable partly because it feels so natural, something that no adult will really need to explain. Children will get it, perhaps more intuitively and easily than the rest of us.
Finding Nemo is distributed by Disney, and it has what the most heartfelt Disney animated features used to have: rapturous imagery matched with real wit.
[An] aquatic joyride.
You're expected to weep, and perhaps you will weep. But if you do, it's not likely that you'll respect yourself in the morning.
Finding Dory isn't so much a sequel to Finding Nemo as it is a Looney Tunes spin-off: Wilder, sillier, broader and instantly disposable.
Pixar films are invariably clever and play on multiple levels, and this one is no exception. There's something deeply moving about Dory's plight.
The story is told gently and simply without excess sentimentality. It is a welcome departure from more contrived holiday fare.
There will be enough tears to fill a small inflatable pool, if not an ocean.
There are some rollicky moments in Finding Dory. [But] the inventiveness of the animation is not matched by the frayed workmanship of the story line.
Sometimes it takes a plucky animated fish to illustrate the benefits of thinking on your fins (er, feet). Now that's a lesson worth retaining.
There's a big undersea world out there in Finding Dory, one that's endlessly diverse and consistently beautiful. Not only in its dazzling photorealist images, but in the story's creative depth.
Its heroine may suffer from short-term memory loss, but viewers with any memory at all will realize that Finding Dory falls rather short of its wondrous progenitor.
Finding Neverland is not exactly the way it happened, but this is a movie with a higher truth, one we need to believe in. And you will believe. You will.
The latest flood of wizardry from Pixar, whose productions, from Toy Story onward, have lent an indispensable vigor and wit to the sagging art of mainstream animation.
Depp is a charm. He becomes his own, subtly compelling Barrie.
For Depp, Finding Neverland is the latest in an extraordinary series of performances.
Infused by an awkward decorum; the kind that descends on a gathering dominated by an unmentioned death or transgression.
A timeless delight.
Finding Neverland practices a tasteful restraint, embodied by Depp's unusually subdued performance.
A genuinely funny and touching film that, in less than a decade, has established itself as a timeless classic.
For the most part, Forster peeks inside the creative process, presenting us with scenes that are sweetly realized and often touching.
Good taste runs amok. The movie is careful to offend no one, which, in a more dramatically told film might not be as irritating.
Forster doesn't know how to make his story flow - the picture moves from scene to scene with an almost painfully mechanical precision.
Finding Dory is enjoyable in its own right, even if its powerful sense of deja vu keeps it from approaching the pinnacle of the Disney/Pixar collaborations.
Resisting the temptation to rehash Finding Nemo with new characters as too many sequels do, this fine-finned tale tells a complementary story from the opposite direction.
Like the original, "Finding Dory" makes us understand the fears, joys, struggles and triumphs of family. See it with yours.
For all the witty voices and great escapes (maybe one too many of the latter), "Finding Dory" is ultimately a character story, and DeGeneres' lovable, brave Dory swims right into our hearts.
When the blunt head of Bruce the shark slams into the screen like a hammer, everyone - adults included - gasps
In its understated way, it is based on a sense of what separates children from adults and how someone like Barrie might have bridged that gap.
A rewarding piece of filmmaking that has all the makings of a classic weepie.
One of the biggest and most pleasant surprises in a film with too few of them is just how resonant Dory will be for parents of kids with learning disabilities.
Audiences should find "Dory" one of Pixar's most charming achievements.
Finding Neverland has a radiance that comes primarily from Depp's performance but finally suffuses the whole movie - with its marvelous cast and lovingly created images of a British Edwardian past.
Impeccably made and genuinely moving.
It is nice, especially at this precise moment, to believe that evil and cruelty don't necessarily have to exist in the world: that even in the great big ocean, a couple of small fish looking for help can always depend on the kindness of strangers.
Although DeGeneres' Dory, with her breathless stream-of-consciousness patter, is unavoidably likable, the cast of supporting characters here may be even better.
It's gorgeous. It's lively. It's got terrific performances from a strong voice cast. It's emotionally affecting without being heavy-handed.
There are terrific Pixar sequels ("Toy Story 2" and "3") and OK Pixar sequels ("Cars 2," "Monsters University"). "Finding Dory" is one of the terrific ones, if not quite up to the "Toy Story" standard.
A visual marvel, every frame packed to the gills with clever details, Finding Nemo is the best big-studio release so far this year.
While not as visually dazzling as its predecessor, the film is still colorful and immersive; the script, while predictable, puts an engaging spin on the issues of home and identity.
The visual personality of the movie is fantastically vivid and bright, the story itself, less so.
It rises above its crowded narrative with an intense emotional core, taking a protagonist whose affliction had been played mostly for comedy, and exploring the emptiness and loneliness of her plight.
Glorious entertainment.
If it didn't have Johnny Depp as its star, Finding Neverland would barely pass muster as an average PBS Masterpiece Theatre entry.
If there has ever been a better voice performance in an animated film than Ellen DeGeneres' in Pixar's wonderful sequel "Finding Dory," I sure can't think of it.
"Finding Dory" upholds the Pixar tradition with plenty of inventive humor, cleverly drawn characters and emotionally resonant moments.
Much of Finding Dory is funny, and fun. But there's something kind of haunting about our heroine's memory thing.
Of course, "Dory" has plot similarities to "Nemo," but there is enough love and care devoted to everything from the characters on down that it works beautifully, even without element of surprise.
Nemo, with its ravishing underwater fantasia, manages to trump the design glamour of earlier Pixar films.
Like Pixar's previous films, Finding Nemo mines humor from the oddities of an unknown world but stays grounded in a familiar one, finding recognizable elements of heartbreak and happiness amid the ink-jetting octopi and irritable flounders.
Finding Neverland establishes its limits and then transcends them to provide a glorious entertainment for this holiday season.
Finding Nemo is laced with smart humor and clever gags, and buoyed by another cheery story of mismatched buddies: a pair of fish voiced by Albert Brooks and Ellen DeGeneres.
Andrew Stanton and Angus MacLane, the co-directors of "Finding Dory," have made a beautiful, rambunctious, and fully felt sequel - a movie totally worth its salt water.
We can always see the frightened little boy in the man, and the importance of the role that make-believe plays in a world often too eager to tell us to accept things as they are instead of urging us to remake them by dreaming of how they could be.
Finding Dory is delightful throughout, dazzling during its many highlight scenes and just a tad disorienting on rare occasions.
Pretty as a Victorian candy box and gentle as a sleeping child's breath, Finding Neverland is a small treasure of a film.
As Peter Pan might have put it, an awfully small adventure.
Morbidity covers every scale of Finding Dory like fin rot.
Pixar's wizardry is baked into every detail, from the sun-dappled ocean surfaces to the underwater visuals that border on photorealism. It's unforgettable stuff.
In deciding not to stray far from the first film in plot or tone, it makes for a pleasant, familiar, cheerfully unassuming fish-in-her-water tale.
Directors Andrew Stanton and Angus MacLane make it very clear what you are supposed to feel and when you are supposed to feel it. What they don't do is earn it.
Dory is still irrepressible in Finding Dory, still making her way brightly and cluelessly through life in a state of perpetual now, but her backstory adds a steady element of pathos to a movie that otherwise follows in the same beats as the original.
Forster builds on each scene, and the finale . is quite moving.
The film reminds us not only of the many uses of enchantment, but of the exhilarating magic of the words, 'Let's pretend.'
Finding Dory may be more of a minnow than a whale of a tale for Pixar, but it's still a good catch.
This is solid but unspectacular entertainment, and most who see it will leave theaters satisfied, although not overwhelmed.
As the 13-year gap between "Nemo" and "Dory" indicates, this was not a concept that cried out to be made.
It is Depp who makes the magic real enough to believe.
Finding Dory often goes, if you'll forgive the maritime metaphor, to a level a few fathoms below the cruising depth of its much-loved predecessor.
Dory's visual palette is such a joy to look at, drawing on the deep blues and greens of the underwater expanse and ocean-dwelling algae.
Depp, as the Scottish-born turn-of-the-century playwright J.M. Barrie, portrays a fellow who is openly gentle to the core, and the actor just about wraps the movie around his lilting delivery and quiescent gaze.
The verities are about the ways imagination is craved and curtailed by loved ones and by society.
Some things are worth causing a lump in your throat. Finding Neverland is one of them.
Twee is one of those distinctly English words. It's used to describe something flowery, fey, hopelessly lightweight. It can also be applied - quite nicely, thank you - to Finding Neverland.
Intelligent and inspiring.
Johnny Depp adds yet another indelible, Oscar-worthy portrait to his gallery of memorable characters
It's a mild pleasure to watch.
If Finding Dory lacks the fresh surprise of its predecessor, it still brims with humor, heart and animation miracles.
There isn't much that's less interesting to watch Johnny Depp do than bring a quiet and steady decency to anything.
Another huge improvement from its predecessor is the animation, from the way the kelp sways in the ocean to Hank's camouflaging metamorphosis. The filmmakers provide a dynamic, colorful backdrop worthy of 3-D viewing.
The movie is one long snooze, until the finish leaves half the audience glowing and in tears.
Finding Neverland is gently seductive, genuinely tender and often moving without being maudlin.
Marc Forster's handsome-looking film stars Johnny Depp as J. M. Barrie and Kate Winslet as the widow whose sons inspired Barrie to write Peter Pan.
Finding Dory, bright and clever like most all Pixar releases, has the animation studio's familiar blend of wit, heart and visual detail. But it's missing its own magic.
It's a reminder that a sense of play is at the heart of every play - at the heart of every artistic endeavor, for that matter - and yet life is more than just a playground.
While the animation is still top-notch and a slew of new waterlogged personalities buoy the story, it doesn't have nearly the same sense of heart, wonder and awe as Nemo.
It's a sequel that's a continuation of the original film rather than an expansion of it, and it is still a success, though not a triumph.
I'd rank it as one of the best films of the year.
As a study of the creative process, Finding Neverland is too literal, yet gives a healthy idea of the richness and ingenuity of Barrie's work.
In this seamless blending of technical brilliance and storytelling verve, the Pixar team has made something as marvelously soulful and innately, fluidly American as jazz.
It's a solid, entertaining, well-paced sequel featuring terrific voice work, a clever script and some ingenious action sequences.
A sequel that betters the boffo 2003 animated feature Finding Nemo and provides more evidence, after last year's highly original Inside Out, that Pixar has finally emerged from the uninspiring years of the Cars franchise.
The film is often visually striking and charming enough, but it's low on two things we've come to expect from Pixar: comedy and moving emotional moments.
Watchable and passably engaging.
Very clever and imaginative indeed.
It's harmless cotton candy with pleasant turn-of-the-century decor, but I admit the Disney ambiance eventually wore me out and I spent a lot of time looking at my watch.
"Finding Dory" can be touching, sweet and tender, but it's compulsively, preposterously and steadfastly funny.
The elemental emotions at work and the childlike awe at the undersea world - rendered once again in colorful, carefully researched, lovingly precise animation - contribute to the sense of a story timeless and pure.
There's a new Pixar film in theaters, and it's a catch.
While Mr. Brooks is very funny, Ms. DeGeneres gives a bravura comic performance, as well as a touching one.
Despite opportunities to turn soft and clammy, the film is moving but not maudlin, whimsical but not cloying.
Finding Dory, like most "lesser Pixar," is more fun around the edges than the competition tends to be at center.
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