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A critical hit and audience favorite out of the Sundance Film Festival, in DOPE, Malcolm (Shameik Moore) is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. (C) Open Road

About Dope

Artist : Shameik Moore, Tony Revolori, Kiersey Clemons
As : Dom, Will Sherwood, Mr Bailey
Title : Dope Peliculas Mexicanas Gratis
Release date : 2015-06-19
Movie Code : 3850214
Duration : 115
Category : Comedy, Drama

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Name : Ignatiy Vishnevetsky / Alias : AV Club
In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.

Name : Dana Stevens / Alias : Slate
Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.

Name : Peter Howell / Alias : Toronto Star
A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.

Name : Joshua Rothkopf / Alias : Time Out
Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.

Name : Randy Myers / Alias : San Jose Mercury News
While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.

Name : A.O. Scott / Alias : New York Times
Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.

Name : Alan Scherstuhl / Alias : Village Voice
Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.

Name : Alonso Duralde / Alias : TheWrap
This vibrant film is a bit of a mess, but it's a beautiful one.

Name : Brian Truitt / Alias : USA Today
Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.

Name : Joe Morgenstern / Alias : Wall Street Journal
If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.

Name : Mark Feeney / Alias : Boston Globe
"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.

Name : Ann Hornaday / Alias : Washington Post
"Dope" is the bomb.

Name : Jordan Hoffman / Alias : New York Daily News
The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.

Name : Kyle Smith / Alias : New York Post
As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.

Name : Dennis Harvey / Alias : Variety
The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.

Name : Patrick Dunn / Alias : Detroit News
When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.

Name : Lindsey Bahr / Alias : Associated Press
A fantastical, slight, and occasionally fun, hip hop-scored romp.

Name : Rene Rodriguez / Alias : Miami Herald
Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.

Name : Peter Travers / Alias : Rolling Stone
Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.

Name : Bill Goodykoontz / Alias : Arizona Republic
The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.

Name : Rafer Guzman / Alias : Newsday
A freewheeling comedy about sex, drugs and identity politics.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"Dope" is funny, slick and sharp.

Name : Andrew O'Hehir / Alias : Salon.com
"Dope" may be the perfect movie for the summer of 2015.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.

Name : Michael Phillips / Alias : Chicago Tribune
The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.

Name : Robert Abele / Alias : Los Angeles Times
"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.

Name : James Berardinelli / Alias : ReelViews
The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.

Name : Soren Anderson / Alias : Seattle Times
Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.

Name : Julian Carrington / Alias : Globe and Mail
Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.

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About Batman V Superman: Dawn Of Justice

Artist : Chris Terrio, David S Goyer
As : Ben Affleck, Henry Cavill, Amy Adams
Title : Batman V Superman: Dawn Of Justice Peliculas Online
Release date : 2016-03-25
Movie Code : 2975590
Duration : 120
Category : Action, Adventure, Science Fiction, Fantasy

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Name : Stephanie Zacharek / Alias : TIME Magazine
As superhero spectacles go, Zack Snyder's Batman v Superman: Dawn of Justice is a grand one, with a mondo-operatic climax and a final shot infused with quivering, exhilarating molecules of grace. It's also not much fun.

Name : Michael Phillips / Alias : Chicago Tribune
A near-total drag, Batman v Superman: Dawn of Justice plays like a loose, unofficial quarter-billion-dollar remake of The Odd Couple, in which Oscar and Felix are literally trying to kill each other.

Name : Richard Roeper / Alias : Chicago Sun-Times
When it sings, Dawn of Justice is a wonder. When it drags, it still looks good and offers hints of a better scene just around the corner.

Name : Bilge Ebiri / Alias : Village Voice
The movie's not bad but it doubles down on its least-interesting and potent elements at the expense of those that actually work.

Name : Rafer Guzman / Alias : Newsday
Overlong, underdeveloped and almost entirely humorless, Batman v Superman: Dawn of Justice may please die-hard fans by pitting two DC icons against each other. Everyone else may want to wait for the next Marvel movie.

Name : Alonso Duralde / Alias : TheWrap
And what of the title's promised skirmish? That face-off between two comics legends becomes but one in a series of big things bashing into other big things, which is what Snyder and writers Chris Terrio and David S. Goyer mistake for storytelling.

Name : Adam Graham / Alias : Detroit News
The heavyweight title bout between Batman and Superman is a smash to the senses, the same way being tossed around in a rollover car accident would jolt one's system.

Name : Bill Goodykoontz / Alias : Arizona Republic
Questions regarding violence and mayhem are drowned out by violence and mayhem. Such is the superhero life as directed by Zack Snyder. There is no problem that can't be solved with a cranium-rattling explosion or two.

Name : A.A. Dowd / Alias : AV Club
Shouldn't all this geeky property colliding still at least be entertaining? Shouldn't it play to the cheap seats instead of wallowing in the murk?

Name : Joe Morgenstern / Alias : Wall Street Journal
Underdeveloped, overlong and stupendously dispiriting.

Name : Mara Reinstein / Alias : Us Weekly
A popcorn film - and this is a popcorn film - should never feel like Sunday night homework.

Name : Andrew O'Hehir / Alias : Salon.com
Batman v Superman is kind of dopey and plays out some laborious plot twists in the DC narrative at unnecessary length, but as I've already said it largely kept me entertained for two and a half hours, which is not nothing.

Name : Joshua Rothkopf / Alias : Time Out
If there's any justice, dawning or otherwise, at the multiplex, audiences will reject Zack Snyder's lumbering, dead-on-arrival superhero melange, a $250 million tombstone for a genre in dire need of a break.

Name : Tony Hicks / Alias : San Jose Mercury News
DC and Snyder jammed a lot into "Batman v Superman" to get back into the game. And it often works.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's another numbing smash-and-bash orgy of CGI mayhem with an ending that leaves the door open wide enough to justify the next 10 installments. Is it too late to demand a rematch?

Name : James Berardinelli / Alias : ReelViews
Although viewers may be riveted at times, the net experience isn't much fun.

Name : Stephen Whitty / Alias : Newark Star-Ledger
[Plays] less like a prequel for the JLA then a greatest-hits medley of every superhero movie ever made - a little Dark Knight Rises here, a bit of Batman Begins there, all spiced up with some X-Men topicality. The thing is, none of it convinces.

Name : Andrew Barker / Alias : Variety
As a pure visual spectacle, however, Batman V Superman ably blows the hinges off the multiplex doors, and editor David Brenner does excellent work to comprehensibly streamline the chaos, capably captured by d.p. Larry Fong.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
For those who go to the movies to see coherent narratives, [this] is Hollywood's latest exercise in fan service.taking the usual screenplay ingredients of logic, reason and character motivation, tossing it all in a blender and filming the scraps.

Name : Anthony Lane / Alias : New Yorker
When in doubt, [Snyder] simply slings another ingredient into the mix, be it an irradiated monster, an explosion on government premises, or the sharp smack of masonry on skull.

Name : Todd McCarthy / Alias : Hollywood Reporter
The film may be imposing, but it's not fun.

Name : Barry Hertz / Alias : Globe and Mail
The film might be pretty to look at, but narratively speaking, it is a disaster.

Name : Steven Rea / Alias : Philadelphia Inquirer
There's a gravitas here that even the staleist of comic book tropes can't diminish. Snyder, who directed Man of Steel and the failed comic book adaptation Watchmen, is nothing less than respectful. The effects aren't bad, either.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's a shame that Batman v Superman is also a storytelling disgrace. It has maybe six opening scenes and jumps so incessantly from subplot to subplot that a script doctor would diagnose a peculiarly modern infection: "disjunctivitis."

Name : Chris Klimek / Alias : NPR
A ponderous, smothering, over-pixelated zeppelin crash of a movie scored by a choir that sounds like it's being drowned in lava.

Name : Peter Travers / Alias : Rolling Stone
Snyder, juiced up by Hans Zimmer's caffeinated score, throws everything at the screen until resistance is futile.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It is an interesting idea of a film created by people who have no earthly idea how to do it, a quasi-epic without a thimbleful of wit, style or rooting interest in either of its leads.

Name : Ty Burr / Alias : Boston Globe
Eventually the script's illogic and the relentless pounding of the action scenes wear you down.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Snyder delivers a superhero epic that's a significant improvement on his work on its predecessor, "Man of Steel."

Name : Kenneth Turan / Alias : Los Angeles Times
While the Marvel universe, now owned by Disney, is glib and sunny, it's a nice echo of Warner's past as a home to gangsters and gritty melodramas to find its DC world operating very much on the dark end of the street.

Name : Bob Mondello / Alias : NPR
It's freighted not so much with entertainment value as it is with enough talk of fallen gods, absent parents, and dissolute heroes to fuel a Greek tragedy. And . director Zack Snyder seems convinced that that's what he's making.

Name : Ann Hornaday / Alias : Washington Post
Rather than escapism and sensory exhilaration, viewers get down in the mire with protagonists who grimace, scowl and wince their way through heroics with the joyless determination of shift workers making the doughnuts.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Snyder sets his story within our modern world and attempts to fashion a kind of commentary on the media and the current geopolitical situation. What he has crafted instead is a grotesque expression of modern emptiness.

Name : Brian Truitt / Alias : USA Today
BvS will please those either waiting for the two main players to lock horns on a movie screen, or those who've just been pining for Wonder Woman forever.

Name : Jonathan L. Fischer / Alias : Slate
Blunt, humorless, and baffling, it collides the brutish directorial stamp of its director (he of 300 and Watchmen fame) with the most shameless instincts of our latter-day superhero franchise bubble.

Name : A.O. Scott / Alias : New York Times
The studio has, in the usual way, begged and bullied critics not to reveal plot points, and I wouldn't dream of denying you the thrill of discovering just how overstuffed and preposterous a movie narrative can be.

Name : J. R. Jones / Alias : Chicago Reader
Not as bad as Bush v. Gore, but close.

Name : Lou Lumenick / Alias : New York Post
Constantly threatening to collapse from self-seriousness, this epic has way too much of everything, including CGI and Oscar winners up the wazoo.

Name : Rene Rodriguez / Alias : Miami Herald
In Batman v Superman: Dawn of Justice, the Dark Knight and the Man of Steel duke it out and the audience loses.

Name : Tim Grierson / Alias : The New Republic
Filled with scenes of gloomy characters confronting their demons or wrestling with insipid moral quandaries, this joyless slog isn't a superhero film so much as it is an excruciating therapy session with huge explosions and guys in capes.

Name : Matthew Lickona / Alias : San Diego Reader
In a word, exhausting. In a few more, overblown, overstuffed, repetitive, bombastic, and sometimes just dumb. (Never mind dreary to look at and punishing to hear.)

Name : Christopher Orr / Alias : The Atlantic
Batman v Superman is a tiresome, ill-tempered film, and one too lazy even to earn its dismal outlook.

Name : Peter Howell / Alias : Toronto Star
If only the film actually had depth, along with a little levity to lighten the bulk in the script, the visual murk and the sonic overkill.

Name : Bruce Kirkland / Alias : Toronto Sun
Half of Batman v Superman: Dawn of Justice is brilliant. Unfortunately, the other half of Zack Snyder's epic-length superhero movie is so bloated that it blunts the effect of the good stuff.

Name : Soren Anderson / Alias : Seattle Times
A joyless slog.

Name : Robert Wilonsky / Alias : Dallas Morning News
In the words of The Joker in a far better Batman movie: "Why so serious?"

Name : Jake Coyle / Alias : Associated Press
It hurtles not with the kinetic momentum of Mad Max: Fury Road nor the comparatively spry skip of a Marvel movie, but with an operatic grandeur it sometimes earns and often doesn't.

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