A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.
About 10 Cloverfield Lane
Artist : Josh Campbell, Matthew StueckenAs : Mary Elizabeth Winstead, John Goodman, John Gallagher Jr
Title : 10 Cloverfield Lane Aanhangwagen Review
Release date : 2016-03-11
Movie Code : 1179933
Duration : 110
Category : Drama, Mystery, Sci-Fi, Thriller
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Name : Steve Tilley / Alias : Toronto Sun
The more you know about it, the less fun it will be.
The more you know about it, the less fun it will be.
Name : Michael Phillips / Alias : Chicago Tribune
Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.
Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.
Name : Soren Anderson / Alias : Seattle Times
Rather than something truly wild and way, way off the wall, "10 Cloverfield Lane" is a variation on the "don't go down into the basement" school of scary moviemaking, only this time with a 180-degree twist.
Rather than something truly wild and way, way off the wall, "10 Cloverfield Lane" is a variation on the "don't go down into the basement" school of scary moviemaking, only this time with a 180-degree twist.
Name : David Edelstein / Alias : New York Magazine/Vulture
10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.
10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.
Name : Colin Covert / Alias : Minneapolis Star Tribune
The point of this precisely crafted film is psychological possibility. It creates a kind of Hitchcockian thriller where uncertainty soaks the story and spreads across the atmosphere like blood on a shirt.
The point of this precisely crafted film is psychological possibility. It creates a kind of Hitchcockian thriller where uncertainty soaks the story and spreads across the atmosphere like blood on a shirt.
Name : Joshua Rothkopf / Alias : Time Out
Producer J.J. Abrams, a brilliant marketer, has to eventually open his "mystery box," and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.
Producer J.J. Abrams, a brilliant marketer, has to eventually open his "mystery box," and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.
Name : Mick LaSalle / Alias : San Francisco Chronicle
At one point, this movie had me so on edge that I had a fleeting impulse to run out of the theater. It might be weird to say that and mean it as a compliment, but good thrillers work that way sometimes.
At one point, this movie had me so on edge that I had a fleeting impulse to run out of the theater. It might be weird to say that and mean it as a compliment, but good thrillers work that way sometimes.
Name : Amy Nicholson / Alias : MTV
Great publicity, dumb move. The title alone is a spoiler.
Great publicity, dumb move. The title alone is a spoiler.
Name : Mara Reinstein / Alias : Us Weekly
For the love of Google, don't scour the web for third-act spoilers. Just know that an old-fashioned scary movie can still make you squirm, laugh and gasp for air.
For the love of Google, don't scour the web for third-act spoilers. Just know that an old-fashioned scary movie can still make you squirm, laugh and gasp for air.
Name : Richard Brody / Alias : New Yorker
Trachtenberg . smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.
Trachtenberg . smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.
Name : Stephanie Zacharek / Alias : TIME Magazine
Not an outright Cloverfield sequel but rather, as Abrams has put it, a "spiritual successor." It's also a better movie, one with a sense of humor about itself and its genre.
Not an outright Cloverfield sequel but rather, as Abrams has put it, a "spiritual successor." It's also a better movie, one with a sense of humor about itself and its genre.
Name : Steven Rea / Alias : Philadelphia Inquirer
Thumpingly exhilarating .
Thumpingly exhilarating .
Name : Justin Lowe / Alias : Hollywood Reporter
Although some may miss the immediacy of a rampaging kaiju destroying everything in its path, this is an entirely different breed of movie that's potentially even more effective for its shift in style and tone.
Although some may miss the immediacy of a rampaging kaiju destroying everything in its path, this is an entirely different breed of movie that's potentially even more effective for its shift in style and tone.
Name : Mark Olsen / Alias : Los Angeles Times
It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.
It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.
Name : Rafer Guzman / Alias : Newsday
"10 Cloverfield Lane" is as economical as a stage play but packs in plenty of visceral violence and visual surprises. Whether you've seen the first film or not, this one is a thoroughly entertaining treat.
"10 Cloverfield Lane" is as economical as a stage play but packs in plenty of visceral violence and visual surprises. Whether you've seen the first film or not, this one is a thoroughly entertaining treat.
Name : Chris Nashawaty / Alias : Entertainment Weekly
It's lean, and taut, and tense, and moves with Swiss-clock precision. Still, it's not as scary as you want it to be.
It's lean, and taut, and tense, and moves with Swiss-clock precision. Still, it's not as scary as you want it to be.
Name : Bill Zwecker / Alias : Chicago Sun-Times
Unpredictability in cinema is frequently a missing element - especially when we're talking about movies that fall into the horror or science-fiction genres. With 10 Cloverfield Lane, there is no such problem. Trust me.
Unpredictability in cinema is frequently a missing element - especially when we're talking about movies that fall into the horror or science-fiction genres. With 10 Cloverfield Lane, there is no such problem. Trust me.
Name : Sara Stewart / Alias : New York Post
Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.
Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.
Name : Ethan Sacks / Alias : New York Daily News
The best reveal of "10 Cloverfield Lane" is that the script from Josh Campbell, Matthew Steucken and Damien Chazelle ("Whiplash") is strong enough to have made a compelling stageplay instead of a creature feature.
The best reveal of "10 Cloverfield Lane" is that the script from Josh Campbell, Matthew Steucken and Damien Chazelle ("Whiplash") is strong enough to have made a compelling stageplay instead of a creature feature.
Name : Bill Goodykoontz / Alias : Arizona Republic
Trachtenberg is patient building this world, and the actors do a good job inhabiting it.
Trachtenberg is patient building this world, and the actors do a good job inhabiting it.
Name : Barry Hertz / Alias : Globe and Mail
This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable - Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.
This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable - Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.
Name : Peter Travers / Alias : Rolling Stone
the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.
the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.
Name : Alan Scherstuhl / Alias : Village Voice
As a gamelike, simulationist PG-13 horror chamber piece, 10 Cloverfield Lane is a success: well shot and -staged, arrestingly acted, edited with a crisp unpredictability.
As a gamelike, simulationist PG-13 horror chamber piece, 10 Cloverfield Lane is a success: well shot and -staged, arrestingly acted, edited with a crisp unpredictability.
Name : Scott Tobias / Alias : NPR
Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy .
Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy .
Name : A.A. Dowd / Alias : AV Club
There's a fine, nerve-jangling little psychological thriller here. Pity it couldn't have been allowed to just be that.
There's a fine, nerve-jangling little psychological thriller here. Pity it couldn't have been allowed to just be that.
Name : Michael O'Sullivan / Alias : Washington Post
Goodman's performance, while unhinged, never veers into caricature. Similarly, Winstead avoids the cliche of the tank-top-wearing bimbo/victim, bringing an earthy self-reliance to her role.
Goodman's performance, while unhinged, never veers into caricature. Similarly, Winstead avoids the cliche of the tank-top-wearing bimbo/victim, bringing an earthy self-reliance to her role.
Name : Rene Rodriguez / Alias : Miami Herald
Tamp down those expectations, then tamp them down some more.
Tamp down those expectations, then tamp them down some more.
Name : Adam Graham / Alias : Detroit News
Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.
Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.
Name : Peter Howell / Alias : Toronto Star
From its Hitchcock opening to its eye-popping ending, Dan Trachtenberg's feature debut keeps us wondering about what's really going on, even as we root for Mary Elizabeth Winstead's spunky entrapped protagonist.
From its Hitchcock opening to its eye-popping ending, Dan Trachtenberg's feature debut keeps us wondering about what's really going on, even as we root for Mary Elizabeth Winstead's spunky entrapped protagonist.
Name : James Berardinelli / Alias : ReelViews
Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.
Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.
Name : Jeannette Catsoulis / Alias : New York Times
A master class on narrative pacing and carefully managed jolts.
A master class on narrative pacing and carefully managed jolts.
Name : Jocelyn Noveck / Alias : Associated Press
Trachtenberg scares the wits out of us a few times, and then he launches into a climax that will have many talking - though I found it somewhat disappointing, a little predictable, and frustratingly baffling. But you might love it.
Trachtenberg scares the wits out of us a few times, and then he launches into a climax that will have many talking - though I found it somewhat disappointing, a little predictable, and frustratingly baffling. But you might love it.
Name : Alonso Duralde / Alias : TheWrap
Even if this tale might have been better served as a 40-minute short than as a full-length movie, first-time feature director Dan Trachtenberg has cast a trio of actors at the top of their game, and they elevate the material.
Even if this tale might have been better served as a 40-minute short than as a full-length movie, first-time feature director Dan Trachtenberg has cast a trio of actors at the top of their game, and they elevate the material.
Name : Brian Truitt / Alias : USA Today
A well-crafted affair by debuting director Dan Trachtenberg that mixes elements of an intimate stage play with the white-knuckled tension of a cracking good Twilight Zone episode.
A well-crafted affair by debuting director Dan Trachtenberg that mixes elements of an intimate stage play with the white-knuckled tension of a cracking good Twilight Zone episode.
Name : Stephen Whitty / Alias : Newark Star-Ledger
I sure hope there's an "11 Cloverfield Lane."
I sure hope there's an "11 Cloverfield Lane."
Name : Matthew Lickona / Alias : San Diego Reader
Just serviceable bunker thriller that asks the question, "Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?"
Just serviceable bunker thriller that asks the question, "Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?"
Name : Justin Chang / Alias : Variety
A sensationally effective semi-sequel that bears virtually no narrative or stylistic resemblance to its predecessor .
A sensationally effective semi-sequel that bears virtually no narrative or stylistic resemblance to its predecessor .
Name : Will Leitch / Alias : The New Republic
The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.
The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.
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